Published by Del Rey on August 27, 2013
Camp Exodus has been overrun by a militia of immunes commanded by a less than angelic Gabriel, stranding Skyler in the wilderness where he's at risk of being attacked by subhumans. But even worse than subhumans are a new breed of ... armored subhumans? That won't make sense to you if you haven't read The Darwin Elevator, and even then it might not makes sense. In any event, since The Exodus Towers picks up the plot where The Darwin Elevator dropped it, you won't get much out of the second novel in this trilogy if you haven't read the first.
The troubles at Camp Exodus occupy the first half of this lengthy novel. Much of it seems like filler. One meandering plotline focuses on Samantha Rinn from Skyler's old scavenger crew, who spends much of the novel on a sort of wok release from her imprisonment in Darwin. A better plotline focuses on the ongoing power struggle between Tania Sharma, who is in charge (more or less) of the Orbitals -- some of them, anyway -- and Russell Blackfield, who is in charge (more or less) of Darwin -- part of it, anyway. Blackfield is in a power struggle of his own with a dude named Grillo, who has mustered a private army of religious zealots.
The story derails for quite a long time as Skyler takes on the immune militia. Significant plot advancement is relegated to the novel's final quarter. While those events are worth waiting for, they bring us no closer to the resolution of the mysteries that drive the trilogy: Why did aliens build the space elevators? Why did they release a disease that killed most humans while turning most survivors into zombie-like subhumans? What do the aliens plan to do next?
It's a given that science fiction depends upon a willing suspension of disbelief. The Exodus Towers occasionally tested my willingness, particularly when a group of immunes decides to engage in strange genetic experiments involving subhumans. As was true in The Darwin Elevator, I'm not sure the whole subhuman subplot works very well, even though it's central to the story. Perhaps the final installment will explain why subhumans are central to the story.
Characters are the strength of the first two novels in the trilogy, although it's best not to get too attached to anyone because Jason Hough kills them off rather freely. Relationships between the characters are convincing. The Exodus Towers is always interesting, including the chunks that add nothing to the overall story. It's good enough to persuade me to move on to the final installment, but it would have been better with fewer words.
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