Published by Soho Crime on January 2, 2013
Three men have been assassinated: a Belgian and a Norwegian who, having allied themselves with the Reich, came to Ireland as refugees, and a German who worked for the SS. A note left in a victim's pocket suggests that the killer will soon be coming for Otto Skorzeny, formerly of the SS (a character who is borrowed from the real world). With President Kennedy about to visit Ireland, the Irish government can afford no political unpleasantness. The Directorate of Intelligence assigns Albert Ryan to investigate the killings. As Ryan pursues that task, the killings continue; a Breton who fought for Germany becomes the next person selected to deliver a message to Skorzeny. When it becomes clear that someone close to Skorzeny has betrayed him by acting as an informant, Ryan and Skorzeny are in a race to find the rat. Also putting pressure on Ryan to deliver information is a Mossad agent named Weiss who eventually becomes one of the novel's central characters.
The question of Irish neutrality during the war is directly addressed in a discussion between Ryan and a rabbi, but it provides a fascinating subtext that pervades the novel. Ryan is not a popular guy in his home town, in part because his family is Protestant, in part because he fought for the British during World War II -- the surest route he could find to leave home. In the eyes of many, he allied himself with his nation's enemy. Now he is being asked to ally himself with a former Nazi. Ryan's divided loyalties make him a more interesting character than is common in thrillers.
Weiss adds another layer of intrigue when he tries to exploit Ryan's sense of conflict for his own ends. Amidst the many competing agendas, the truth is obscured, at least for awhile, leaving Ryan even more unclear as to where his duty of loyalty may lie.
The plot is mildly complex but easy to follow. I wouldn't call it convoluted. It turns on a surprising twist that comes about two-thirds of the way into the story -- surprising but, I thought, credible. Stuart Neville creates a dark and gritty atmosphere while populating the novel with the kind of grim, morally questionable characters who serve as a perfect foil for Ryan. Action scenes are nicely interspersed with scenes of political intrigue.
Occasional moments of melodrama mar the story, and the characterization of Skorzeny is a bit over-the-top, but both of those are common flaws in modern thrillers, and neither is so pronounced as to trouble me. The ending, while satisfying, is a little too neat. On the whole, though, Ratlines is enjoyable and, at least on occasion, thought-provoking. That's more than I can say about most thrillers.
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