The Darkest Water by Mark Edwards

Published by Thomas & Mercer on April 16, 2024

In the small village of Drigg, someone buried local resident Leo James in a hole on the beach, leaving only his head above the sand. He drowned when the tide came in. DI Imogen Evans is charged with solving the crime. Evans was first and last seen in Mark Edwards’ 2017 novel, The Lucky Ones.

As Evans is searching Leo James’ home, she sees a young woman snooping around the back yard. The woman flees but later appears at Leo’s funeral, where she tries to flee again. The woman (Billie Whitehead) and her mother (Michelle) have more knowledge of the reclusive Leo than most people, but even they don’t know much about him.

In the same village, Calvin Matheson has started a coffee shop and bakery, but the shop is losing money. Calvin has no interest in social media, but with his wife’s help, he posts some videos to Instagram, including one that features an elderly woman proclaiming his cakes to be better than sex. The video goes viral (young people, it seems, love old people who talk about sex, how cute!) and triggers a wave of new business.

Many people respond to Calvin’s video, including a woman named Mel. Calvin answers each comment because he’s polite and assumes it will be good for business to interact with potential customers. Calvin’s wife Vicky thinks Calvin’s responses to Mel’s messages are a bit too flirtatious, although Calvin thinks he’s just being kind.

Mel ends up working at the shop when Calvin’s only employee is injured by an unidentified burglar. Vicky trusts Calvin but she’s displeased, primarily because she believes something is off about Mel. While there is good reason to suspect that Mel is obsessive to the point of derangement, Calvin tries to help her out with some young hooligans who harass her. When Calvin goes home after he’s unexpectedly delayed at Mel’s home, he finds that Vicky has disappeared. Did she get fed up and leave him or is she the victim of foul play?

All of this is a bit too much for DI Evans, who must deal with Leo’s murder, Vicky’s disappearance, Michelle’s violent husband, and eventually another murder. It’s also a bit much for Calvin, who is being accused on social media of doing away with Vicky. The lesson he learns is that social media might help you build your business but it houses a subset of lunatics who will eventually make your life hell.

Intermittent flashbacks tease out the story of Calvin’s sister Freya and her involvement with a drug-addled musician. Freya’s death devastated Calvin — he blames himself for not forcing her to make better choices — but it seems to have been equally traumatic for Calvin’s best friend James. Freya’s death is tangentially related to a dark secret that Calvin and James have kept hidden for thirty years. (It isn’t entirely dark, because the reader is meant to like Calvin, but their behavior is considerably less than exemplary.) Calvin lost touch with James after their unfortunate moment.

Is there one killer or more than one? Is Vicky still alive? Is Mel deranged? The story’s reveals are followed by a final gratuitous twist that, like many ultimate plot twists, serves no real purpose and detracts from the story’s credibility. Fortunately, the twist is not particularly important to the story and can be safely ignored. The nick-of-time appearance of a life-saving character doesn’t make much sense, but such is the nature of modern thrillers. An epilogue ties up loose ends and if the knots are difficult to believe, that’s better than leaving the threads dangling.

On the whole, The Darkest Water is nicely constructed. The reader will need to depend more on guesswork rather than clues to solve the mysteries, but the story moves quickly and the plot is always coherent.

RECOMMENDED

Toxic Prey by John Sandford

Published by G.P. Putnam's Sons on April 9, 2024

Readers never know what they’ll get from John Sandford, but they know it will be good. Some of his crime novels are light and a little goofy. Some of his books are dark, although he often lightens the mood with humor. All of his books are quick reads, but some depend on action more than others. I’ve read a lot of Sandford’s novels, enjoyed them all, but I can’t think of one that hit me as hard as Toxic Prey. It might be his best work.

Other people have written thrillers about terrorists weaponizing viruses. They became particularly popular after COVID. Before that, novels like The Andromeda Strain (still the classic in the subgenre of outbreak novels) imagined heroic efforts to contain the natural spread of viral infections (although the virus in that novel had an extraterrestrial origin). Toxic Prey is a variation on the theme.

The virus has been engineered — the Marburg virus is married to a measles virus so that one of the world’s deadliest diseases will become much more infectious — and the person who plans to spread it isn’t a conventional terrorist. Lionel Scott is a British doctor who wants to save the world by killing most of the people who are destroying it — people who drive or use air conditioning. Yeah, I know we’re bad, but killing 80% of us seems a bit extreme.

Scott subscribes to the Gaia hypothesis (some aspects of which have a certain appeal), but his work with Doctors Without Borders has left him depressed and traumatized. Scott has been working with the US military to devise ways to make viruses more deadly. The US Army Medical Research Institute of Infectious Diseases and the Los Alamos National Laboratory (the place where Oppenheimer worked) both research deadly diseases, supposedly to protect public health. Whether they also try to weaponize viruses is, not surprisingly, a military secret.

Letty Davenport (who sort of works for Homeland Security) is sent to England to interview people who know Scott after Scott goes missing. She liaisons with Alec Hawkins of MI5. Before long they are liaising in bed. What they learn about Scott is concerning, so Letty returns to the US, where she is assigned to find him. When she acquires evidence that Scott has been experimenting with a weaponized virus, she gets Hawkins to join her and enlists the help of her father (Lucas Davenport, who stars in a series of his own), another federal Marshal who works with Lucas, and a sniper who has appeared in recent novels when people need to be killed from a distance.

Most bioterrorism novels (as opposed to natural outbreak novels) aren’t convincing. This one is both plausible and chilling. The story moves quickly from start to finish, building suspense as the good guys work out realistic strategies to find Scott and the handful of people he has recruited to his cause. All the good guys are at risk of dying from exposure to the virus. Sandford creates credible fear that they might need to sacrifice themselves to save the world.

I don’t like to use review clichés like “gripping” or “riveting,” but those are the best words to describe the emotional investment that I made in the story. The “wow” factor is undeniable. Kudos to Sandford for producing such a powerful thriller after writing more than fifty novels. Some successful writers are just coasting late in their careers. Sandford just seems to get better.

RECOMMENDED

Don't Turn Around by Harry Dolan

Published by Atlantic Monthly Press on April 2, 2024

Eleven-year-old Kate Summerlin snuck out of her bedroom window at night, took a stroll in the woods, and came upon the body of a young woman named Melissa. Her killer had written the work Merkury on her body. The killer had planned to hang Melissa's body in a tree, but Kate came along while he was retrieving the rope. He told her not to turn around. Then they had a little chat that Kate has always kept to herself. The reader won’t learn the full details of that encounter until the final pages. I’m not sure it is worth the wait.

Kate is now in her late 20s. She supports herself by writing true crime stories. Merkury went on to become a serial killer. He has racked up nearly a dozen victims when the story resumes.

As an adult, Kate’s a bit of a mess. She likes to have rough sex, but only when she is the rough one. The guy needs to be gentle and follow her instructions. Unfortunately, that’s the only character trait that makes Kate interesting, and she doesn’t have enough sex to sustain a reader’s interest in her kinkiness.

Kate is now living rent-free at a relative’s home in rural Ohio. She receives a visit from Vera Landen from Alexander, New York, where Kate lived with her father when she found the body. Vera bothers Kate periodically, hoping she will reveal a new detail that will help her catch Merkury. This time she tells Kate that Merkury, who has killed people across the country, has returned to Alexander.

Bryan Cayhill’s body was found by a film student, Lavana Khatri, as well as two other students who were helping her make an extremely low-budget horror film. Kate’s agent convinces her that her career as a true-crime writer isn’t going anywhere and that she can only give it a boost by writing about Merkury. Kate returns to Alexander, where she plans to interview the students who found Bryan’s body. Lee Tennick, who has a true-crime podcast, is there ahead of her.

Clay McKellar, one of the actors who found the body, seems to be freaked out by the experience. Tennick befriends Clay, perhaps to induce Clay to appear on his podcast, but becomes concerned when Clay disappears. Did Merkury do away with him?

Shortly after Kate arrives in town, Sam Wyler asks her to look into the disappearance of his 19-year-old daughter Jenny. Since Kate isn’t a detective, the request makes little sense (neither does Kate’s agreement to investigate), but Harry Dolan needed to send the story in a new direction so there you have it. Perhaps Jenny ran away from her controlling father and, if so, she should have done it when she turned 18, but perhaps she’s been abducted, car and all. Naturally, Jenny’s disappearance will connect with one of the murders because that’s how crime novels work.

Who is Merkury? Could it be Sam Wyler? Could it be Devin Falko, a therapist who turned up at Kate’s book signing and became her on-again, off-again lover? Could it be Lee Tennick?  Could it be Travis Pollard, a seemingly creepy guy who played the killer in Lavana’s movie? Could it be Kate’s father? More death ensues before the reader’s questions are answered. A bit more than midway into the novel, Kate kills someone, more or less in self-defense, and learns how it feels to form the intent to take a human life. It doesn’t seem to bother her much.

When the puzzle seems to be solved with a hundred pages remaining, the reader knows that the solution is either partial or false. The unfolding truth becomes a bit convoluted and is not remotely credible — Kate knows a shocking number of people who harbor a murderous intent — but such is the way of the modern thriller. Implausible stories might still be enjoyable, but I never warmed up to Kate and the other characters tend to be lifeless, even before they’re murdered.

Most of the story proceeds at a steady pace, although it drags a bit as it nears its final revelation. The story ends with some decent action scenes. They aren’t particularly suspenseful, but Dolan at least makes an effort to satisfy the thriller reader’s appetite for thrills. A couple of suspense-building tricks are cheesy — someone we think is dead miraculously turns out to be not dead — but some readers find dramatic cheese to be tasty. The story hinges on a final reveal, the big mystery that defines Kate’s life. That plot detail is too contrived for my taste but again, some mystery fans might think it is sufficiently shocking to make it worth the wait.

I’ve enjoyed other Dolan novels more than this one, but the story does just enough to earn a recommendation for mystery fans who have finished all the top-shelf novels on their reading list. On a five-star system, I would give it 3.5, a half star above a Recommended with Reservations rating.

RECOMMENDED

Glorious Exploits by Ferdia Lennon

Published by Henry Holt and Co. on March 26, 2024

I never tire of reading, but I do get tired of reading the same plots in book after book. Readers who think (in the words of Monty Python) it’s time “for something completely different” might want to check out Glorious Exploits. The novel is funny, surprising, and poignant.

The story is set in Syracuse early in 4th century BC. Syracuse at that point was populated by Greeks, but the prose is 21st century British (“Still a gobshite, I see.”).

Toward the end of the 5th century BC, Syracuse was invaded by Athens. With the help of Sparta, Syracuse defeated the Athenians. The story begins with captured Athenians imprisoned in a quarry, where they are visited by Lampo and Gelon, two unemployed potters. Like most Greeks in Syracuse, Lampo and Gelon are fans of Athenian theater. They are convinced that nobody does Euripides like the Athenians. On a visit to the quarry, Gelon gets it into his head to put on a production of Medea using the Athenians to act out the play. He finds a few who have acting experience and who know the parts. Lampo is taken with a green-eyed Athenian who he believes will be perfect for the part of Jason.

Lampo is even more taken with Lyra, a slave from Lydia (a kingdom that once existed on land that is now in Turkey). Lyra is owned by the proprietor of a tavern that Lampo often visits. Lampo falls in love with Lyra and promises to one day buy her freedom. That will be a difficult promise for an unemployed potter to keep, although it gives Lampo a resolve and purpose that he previously lacked.

Equal parts comedy and tragedy, the story follows Lampo as he works with Gelon to produce Medea. The captive Athenians are slowly starving to death, but the actors are incentivized by bread and wine. As Gelon and Lampo are casting the roles, they find an Athenian who not only knows Medea, but has acted in Euripides newest play, Trojan Women. Gelon believes that Athens is doomed and decides they must save the new play by bringing it to life. To that end, they plan to produce both plays.

Their plans come to the attention of a wealthy businessman named Tuireann who is passing through Syracuse. He provides the gold that Gelon and Lempo need to purchase sets and costumes to stage the play correctly. Yet not all Syracusans are pleased that the Athenians who killed their family members during a siege of the city are being treated so well. Will the plays ever be produced in the face of such hostility?

Glorious Exploits is in equal parts a comedy and a tragedy. Euripides (we are told at the end) “was ever in love with misfortune and believed the world a wounded thing that can only be healed by story.” Most of the story in Glorious Exploits unfolds between the invasion of Syracuse by Athens and its invasion by Carthage. During the years when Syracuse is free from invaders, Gelon and Lampo contrive to heal their wounded city with stories told by Euripides. Misfortune does indeed seem to be the human condition, particularly for slaves and captured soldiers who are starving to death in a pit. Some of them, at least, might be healed before the story ends.

The story told by Ferdia Lennon also has healing value. It is a story about the redemptive power of love and a story of the enduring power of Lampo’s rocky friendship with Gelon, but it is also the story of an unlikely friendship between Lampo and a conquered Athenian. The novel eventually becomes a story of how we should treat our enemies and whether we should think of other humans as enemies at all — at least in moments when we are not trying to kill each other.

Glorious Exploits has everything this reader could want: silliness, drama, excitement, unexpected twists, a story worth telling and lessons worth learning. The story is told in pitch-perfect prose that restores ancient Syracuse to its momentary glory. The year is young, but this is the best book I’ve read so far in 2024.

HIGHLY RECOMMENDED

Kill for Me, Kill for You by Steve Cavanagh

Published by Atria Books on March 19, 2024

One of the main characters in Kill for Me, Kill for You is a violent crime victim. Two others are mothers of murder victims. The last key character is an older cop named Farrow. Farrow “closed cases that nobody else could.” Farrow is the stereotype of a dedicated cop who fights through back pain and never married because he devotes all his time to catching bad guys. He is, in a word, boring.

Ruth was stabbed multiple times by a serial killer with blue eyes who breaks into houses and kills women. The cops call the serial killer “Mr. Blue Eyes” based on the description that Ruth, as the only survivor of his murder spree, was able to provide. A siren spooked Mr. Blue Eyes so he fled before he could finish stabbing Ruth to death. Now Ruth is too paranoid to leave her home (which is a bit irrational since she was stabbed in her home) and counts on her dutiful husband Scott to protect her.

Scott bulked up after being bullied as a teen. He’s a former prosecutor who loved to put bad guys away, making him another boring character but a suitable shield to whom Ruth is Velcroed. Steve Cavanagh tells us over and over that Scott is a perfect husband who will always protect his wife. When the plot takes its first twist, this trait turns out to be unfortunate for Scott.

Amanda and Naomi are mothers whose kids were murdered. Amanda’s six-year-old was found in a dumpster (naturally, because Cavanagh wants to horrify the reader without being overly graphic about the crime details). Her husband killed himself a week later.

Amanda believes her daughter was killed by Wallace Crone, a wealthy stockbroker, because a camera caught an image of someone who looks like Crone walking with a girl who looks like the daughter. The reader is presumably meant to share Amanda’s outrage that the legal system won’t put Crone behind bars based on suspicions about his guilt. Amanda has been stalking Crone (she plans to shoot him when she gets the chance) and, reasonably enough, he’s suing her for harassment. The reader is apparently meant to be outraged by that, as well.

Naomi’s daughter was found dead in a vacant lot. The daughter’s diary indicated that she’d been having sex with her teacher, Frank Quinn. Naomi believes Quinn killed Naomi to protect himself. Her suspicion goes nowhere because it’s unsupported by evidence.

Naomi and Amanda meet in a support group for traumatized mothers. The group requires its members to identify themselves by fictitious names. Amanda and Naomi become friends. They soon discover a mutual frustration that the legal system won’t convict people of crimes in the absence of clear evidence. Naomi proposes a scheme that she has taken from the Hitchcock film, Strangers on a Train. If Amanda kills Quinn and Naomi kills Crone, Naomi explains that the murders will go unsolved. Neither woman has a motive to kill her victim, while the woman who does have a motive will be surrounded by witnesses who can establish her alibi for the moment of the murder.

With that setup, Cavanagh needed to tweak the Strangers on a Train plot to avoid the perception that he was stealing the story outright. To avoid spoilers, I’ll avoid revealing the tweaks. Suffice it to say that, as in Strangers on a Train, a murder ensues. In fact, Cavanagh adds more murders before the novel ends. And as in Strangers on a Train, the dual murder scheme does not proceed as planned. I imagine that most readers will see that coming. As the reader will anticipate, the dual murder plot involving Amanda and Naomi will eventually tie into the story involving Ruth and her fear of the blue-eyed serial killer.

With the possible exception of Farrow, who is just too dull to care about, none of the characters deserve the reader’s sympathy. It’s one thing to be a crime victim. It’s quite another to think that your status as a victim entitles you to seek revenge. Cavanagh makes heroic efforts to seduce the reader into viewing Amanda as a relatable human being, but a person whose life is driven by the desire for revenge isn’t a person anyone should want to know.

The story builds toward a conclusion that is meant to be suspenseful. By that point, I had given up on caring about the outcome. The plot acquires energy in the closing chapters — another murder is imminent — but the intended victim isn’t a character in whom a reader will have made an emotional investment. The penultimate dramatic scene is so contrived that it left me laughing. A bad guy babbles away, explaining the plot from his perspective like a Bond villain, giving good guys the time they need to thwart him. Really?

While the story earns points for following an unexpected course, the plot isn’t remotely believable. Apart from a psychopath whose behavior is consistent with mental illness, the story depends on characters behaving stupidly. People are certainly capable of stupid behavior, but these are supposedly intelligent characters. A forced plot, combined with a manipulative effort to create sympathy for characters who deserve none, prevents me from giving the book a wholehearted recommendation. A reader’s time might be better spent reading Patricia Highsmith’s Strangers on a Train or watching Hitchcock’s masterful adaptation of a great novel.

RECOMMENDED WITH RESERVATIONS